Pim’s paintings are inspired by the old masters. In his studio, printed images of Dutch seventeenth century and Italian Renaissance paintings, among others, are tacked to the walls next to the canvases he is working on. Each painting can have a number of sources, so a floral work could be inspired by a Dutch Golden Age canvas and a dress from a contemporary fashion shoot can end up as the garb of one of Pim’s figures, looking contemporary and Renaissance at once. This mix of high art and mass produced imagery is in keeping with Pim’s work, where references, direct quotations, source imagery, stories and personal associations meet. He builds singular paintings from multiple art historical sources, and the result is a personal vision, where, Pim says, he constructs his own reality.

– Orit Gat, writer and art critic

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“I have always been drawn to the old masters; a time when art was all about beauty, every painting, every sculpture, every piece of music strove to be beautiful.”

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Ted Pim is a painter born in West Belfast whose murals adorn abandoned spaces sprinkled throughout the U.S and Europe. He also exhibits widely on an international scale in a number of commercial galleries across the globe.

 

Rather than communicating in the typical street art language of bold graphics, colourful geometry and politically –bent symbols, Pim uses a visual lexicon employed by artists like Rembrandt and Caravaggio, one of dark shadows, rich tones and an excess of grandeur. 

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Ted is represented by Almine Rech.